Winslow, Ariz. has been described as sad, depressed, quiet, dead and
creepy. Buildings once housing bustling businesses were abandoned and
not even secured, left to the pigeons. A local gas station
reportedly had spelled out “God Hates Winslow” on its sign.
That’s probably not fair: The reservation border town of 10,000, once
the economic and social center of northern Arizona that lies at the low
point along the rails between Gallup and Flagstaff, is simply a victim
of the vagaries of transport, just another old railroad town bludgeoned
by the Interstate and bled dry by the automobile. Were it not for the
prison, a community college, the power plant down in Joseph City and the
hotel and fast food chains serving I-40 motorists, the place might just
blow away.
At least, that’s how it looked 19 years ago, the last time I spent
any time in Winslow, an accidental visit that was traumatic enough to
cause me to avoid the place ever since. These days you’ll still
encounter rundown gas stations, a high unemployment rate, decaying
motels and the detritus that tends to pile up in the liminal spaces of
the West. But you can also find vast hallways filled with
giant, haunting contemporary paintings in the restored
La Posada Inn
– built in 1929 to serve a slower, more elegant society. In a few of
those once-abandoned buildings, a type of art unfettered by market
considerations has replaced the pigeons. Later this month,
the Station-to-Station art on rails project
is stopping in Winslow, featuring Cat Power, Jackson Browne and Ed
Ruscha’s cactus omelette. And don’t be too shocked if you encounter an
icon of contemporary art
a la Ruscha in the
restaurant at La Posada, where the
food rivals any you might find in Santa Fe.
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